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It's Not Your Gold Shall Me Entice

by Elle Osborne

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1.
I Don’t Like Sundays Not so much a life, as a passing of years And not so much belief as a passion of fears, I saw the cloud come like a shroud, stealing all your joy And it’s not so pretty now, bonnie boy When you’re wondering where everyone has gone to and it seems no-one is wondering where you are Please don’t take it to the house of drowning sorrows, No-one’s ever pretty for long in that bar Sundays always do this to you, darling You just need reminding of how beautiful you are Careful not to wish it all away so fast Sometimes all you can do is put one foot before the other and heed the conversation tween the future and the past Sundays always do this to you, darling
2.
Salt 04:33
Salt It’s a good night for thunder with the wrens flying high And an old boy from the harbour warns there’s weather on that sky But some scar-face of a skipper with ambition and no sense is wailing “Get on lads – you only get wet once!” In like a lion out like a lamb Set sail a boy came home a man But all that came back of most men was the wood of boats they fished from And all that remained of their women was the homecoming they wished them And daughters born with boys’ names cried after their fathers And all the sons and brothers grew up quicker than they’d rather In like a lion And all the streets and beaches moored with fishing boats Sails stiff with salt and solitude rigging ringing with ghosts In like a lion And the girls in Spanish dresses in the carnival parade Danced with the boys in silver buckles their grandfathers made In like a lion…
3.
This Ship is on a List This ship is on a list It’s all so one-sided, it’s almost capsizing and good for nought but filling with water. This isn’t the ship, I’d hoped and had cherished and had fought for This ship is on a list Of long lost lovers, sisters turned to mothers brothers turned away from their daughters If it wasn’t for the skipper, I’d jump ship to another, Or swim for dear life to clear water This ship was set to sail with cargo, full rigging, a crew and their singing We were bound for high seas and plain sailing But now the bo’ sun’s bowed out, and the mainmast is over the railing This ship is in dry dock The rudder is rotten, the longshoreman’s long-forgotten The ballast won’t last past the morning The sails are snapping, the hull’s only good for scrapping And the less said the better about the mooring This ship was set to sail with cargo, full rigging, a crew and their singing Away, haul away! We’ll haul away for Rosie! Away, haul away! We’ll haul away Joe We were bound for high seas and plain sailing Now the fo'csle is fucked / bo’ sun’s bowed out / hull’s bound for hell / gunwhales are gone, and the mainmast is over the railing
4.
Come Write Me Down (The Wedding Song) Come write me down, ye powers above The man that first created love, For I've a diamond in my eye Wherein all my joys and comforts lie, Wherein all my joys and comforts lie. I will give you gold, I will give you pearl If you can fancy me, dear girl, Rich costly robes that you shall wear If you can fancy me, my dear, If you can fancy me, my dear. It's not your gold shall me entice To leave off pleasures to be a wife For I don't mean or intend at all To be at any young man's call, To be at any young man's call. Then go your way you scornful dame Since you've proved false I'll prove the same For I don't care but I shall find Some other fair maid to my mind, Some other fair maid to my mind. Oh, stay young man don't be in haste You seem afraid your time will waste Let reason rule your roving mind And unto you I will prove kind, And unto you I will prove kind. So to Church they went that very next day And were married by asking, as I've heard say, So now that girl she is his wife She will prove his comforts day and night, She will prove his comforts day and night. So now his trouble and sorrow is past His joy and comfort has come at last That girl to him always said, Nay, She will prove his comforts night and day, She will prove his comforts night and day.
5.
And everything Someone came bringing books for you Swinging a bag for you Singing songs for you Someone had to tell her He’s not the one for you He’s not the one for your books, nor your song Because, you can’t give him anything, anything, anything Not a call, a curse, or a compliment anything, not anything He can’t take anything, anything, anything Not a joke, a job, or a Jamieson’s anything, not anything You can’t take anything, anything, anything Not a vow, advice, or a vitamin anything, anything He can’t give you anything, anything, anything Not a thought, a thank, a Theramin anything, not anything He’ll just take everything anything, and everything Your time, your trust, your Temazepam everything, your everything Don’t go giving him anything, anything, anything he’ll just take everything Your dreams, your dazzle, and your dinner money And everything
6.
The Hired Hand I was hoping on a way in an open door Just a place at a table only this much more I was reckoning on a blessing Nothing too grand Just a gesture of small pleasure A touch from a higher hand But in the wishing for the blessing and the beckoning door I hadn’t bargained on the hardened Reckoning for more But still hoping for a helping of a higher kind Is the premise of a promise And an open hand
7.
Toast (The Ballad of Michael Mini Cooper) TV’s favourite child arsonist is charming the nation again 40 years on from the first time, he’s relighting the love and the pain Regaling the doctors and case workers with his methods for catching a flame The press incandescent with piety But no-one round here’s to blame But when you’re silenced with violence And you’re given no chance and no choice And when you’re brilliant and bored and you’re beaten Fire is your vengeance and voice And you had fuel enough for a lifetime and truth enough to survive And it doesn’t take much to see what you did was a cry not a crime So raise a glass to the wise and the weary, Here’s a toast to the righteous and wronged, And here’s to you, here’s to you Mini Cooper May your fire burn bright and burn long Here’s to you, here’s to you Min Cooper May your fire burn bright and burn long
8.
Undone 04:51
Undone Narrow will I make my bed Learn to lie alone That I might lead a maiden’s life Tho maiden am I none Cut off my long yellow hair Dress in mans’ array Make myself unbeautiful No more will I stay And I’ll wake up too early And I’ll go to sleep too late and I will not be bid hurry and I will not be bid wait And at all hours and in all weathers you will find me now Hiking the hills of the county Walking off the woe I will not have hold me Undoing this thing that has undone me Narrow will I make my bed Learn to lie alone That I might lead a maiden’s life Tho maiden I am none
9.
All One 03:56
All One I chopped wood, I carried water I got young again and bold I got free in the freeze and furry with cold I stood tall in the trees and a mountain for a home It’s one small space and a letter between all one and alone One small space and a letter with all your thoughts out to roam and your feelings out to tender and no reception on your phone and every step you take is one more feat for skin and bone It’s one small space and a letter between all one and alone Take the time to know you that only lone allows you It was hard as hell and yet I couldn’t have learned it better One small space and a letter between all one and alone

about

"It's Not Your Gold Shall Me Entice" is the third album from Elle Osborne - the follow-up to 2011's "So Slowly, Slowly Got She Up"

credits

released November 6, 2015

All words and music by Elle Osborne, except Come Write Me Down – traditional, from the singing of the mighty Copper Family of Rottingdean, East Sussex

All songs arranged and produced by Elle Osborne, with Alex Neilson and Mike Hastings, except Come Write Me Down, The Hired Hand, and All One, arranged and produced by Elle Osborne

This Ship Is On A List borrows a chorus from the traditional shanty Haul Away

Engineered by David Lynch at Electricaudio; assisted by Krystof Sciri
Mastered by Francis Kimberley at Hungry Bear Mastering

Front cover photo of Katherine Compton by Stanley Compton
Back cover photo of Elle by Eliza Eagle
Design by Eliza Eagle
Layout by Caroline Archer

Thank
Anna Mutter, Caroline Archer, Franc Roddam, Ian Kearey, Jenny and Marcus Brown, John Copper, Mike Bray, Chief Super Nigel Spencer, Dr Nikki, Roger Stamp, Susan d’Souza, Tim Rabjohns, and
You

Alasdair Roberts – bass, backing vocals
Alex Neilson – drums, backing vocals
Dan Quinn – melodeon
David Lynch – Hammond organ
Dusty Springsteen – backing vocals
James Yorkston – shanty chorus
Mike Hastings – guitar, backing vocals, Jew’s harp, tubular bells, autoharp
Simon d’Souza – saxophone

Remembering Simon d’Souza 1963 – 2014

© Elle Osborne 2015
9th House Recordings
9th cd2
www.elleo.com

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Elle Osborne Brighton, UK

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